Helmed by Portishead co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Poacher denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in UK and Irish cinemas from 17 November.
